Bing Crosby

Early life

Harry Lillis Crosby Jr. was born on May 3, 1903, in Tacoma, Washington, in a house his father built at 1112 North J Street. Three years later, his family moved to Spokane in Eastern Washington State, where Crosby was raised. In 1913, his father (Harry Lillis Crosby Sr.) built a house at 508 E. Sharp Avenue. The house stands on the campus of Crosby's alma mater, Gonzaga University, as a museum housing over 200 artifacts from his life and career, including his Oscar.

Nickname "Bing"

The Associated Press had reported as early as February 1932—later confirmed by both Bing himself and his biographer Charles Thompson—that it was in fact a neighbor, Valentine Hobart, circa 1910, who had named him "Bingo from Bingville". This was after a comic feature in the local paper called The Bingville Bugle which the young Harry liked. In time, Bingo got shortened to Bing.

Early years

In 1923, Crosby was invited to join a new band composed of high-school students a few years younger than himself. Al and Miles Rinker (brothers of singer Mildred Bailey), James Heaton, Claire Pritchard and Robert Pritchard, along with drummer Crosby, formed the Musicaladers, who performed at dances both for high school students and club-goers. The group performed on Spokane radio station KHQ, but disbanded after two years. Crosby and Al Rinker obtained work at the Clemmer Theatre in Spokane (now known as the Bing Crosby Theater).

Singing style and vocal characteristics

Crosby was one of the first singers to exploit the intimacy of the microphone rather than use the loud, penetrating vaudeville style associated with Al Jolson. Crosby was, by his own definition, a "phraser", a singer who placed equal emphasis on both the lyrics and the music. Paul Whiteman's hiring of Crosby, with phrasing that echoed jazz, particularly his bandmate Bix Beiderbecke's trumpet, helped bring the genre to a wider audience. In the framework of the novelty-singing style of the Rhythm Boys, Crosby bent notes and added off-tune phrasing, an approach that was rooted in jazz. He had already been introduced to Louis Armstrong and Bessie Smith before his first appearance on record. Crosby and Armstrong remained warm acquaintances for...

White Christmas

White Christmas is a 1954 American Christmas musical romantic comedy-drama film directed by Michael Curtiz and starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Filmed in Technicolor, it features the songs of Irving Berlin, including a new version of the title song, "White Christmas", introduced by Crosby in the 1942 film Holiday Inn.

Production

Irving Berlin suggested a movie based on his song in 1948. Paramount put up the $2 million budget and only took 30% of the proceeds.

Contemporary reception

Bosley Crowther of The New York Times was not impressed: "the use of VistaVision, which is another process of projecting on a wide, flat screen, has made it possible to endow White Christmas with a fine pictorial quality. The colors on the big screen are rich and luminous, the images are clear and sharp, and rapid movements are got without blurring—or very little—such as sometimes is seen on other large screens. Director Michael Curtiz has made his picture look good. It is too bad that it doesn't hit the eardrums and the funnybone with equal force." Kate Cameron of the New York Daily News gave the film four stars, writing that "given an Irving Berlin score, a sentimental and amusing book by Melvin Frank and the two Normans, Krasna and...