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Earl
American jazz pianist (1903–1983)
Earl Kenneth Hines, also known as Earl "Fatha" Hines, was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".
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The Static TimesExtra
Early life
Earl Hines was born in Duquesne, Pennsylvania, 12 miles from the center of Pittsburgh, in 1903. His father, Joseph Hines, played cornet and was the leader of the Eureka Brass Band in Pittsburgh, and his stepmother was a church organist. Hines intended to follow his father on cornet, but "blowing" hurt him behind the ears, whereas the piano did not. The young Hines took lessons in playing classical piano. By the age of 11, he was playing the organ in his Baptist church. He had a "good ear and a good memory" and could replay songs after hearing them in theaters and park concerts: "I'd be playing songs from these shows months before the song copies came out. That astonished a lot of people and they'd ask where I heard these numbers and I'd...
With his father's approval, Hines left home at the age of 17 to take a job playing piano with Lois Deppe and His Symphonian Serenaders in the Liederhaus, a Pittsburgh nightclub. He got his board, two meals a day, and $15 a week. Deppe (later a member of the Detroit McKinney's Cotton Pickers), a well-known baritone concert artist who sang both classical and popular songs, also used the young Hines as his concert accompanist and took him on his concert trips to New York. In 1921, Hines and Deppe became the first African Americans to perform on radio.
American jazz pianist, bandleader and composer
Born December 28, 1903, Duquesne, Pennsylvania, USA
Died April 22, 1983, Oakland, California, USA.
Performed with in the late 1920s developing his so called "trumpet style" (right-hand octaves accompanied by chords with his left). Still based in Chicago during the 1930s and 1940s, his big band introduced the singers and and featured trumpeter and the saxophonist . In Armstrong's All Stars from 1948 to 1951, although a period followed in relative obscurity with the pianist leading West Coast Dixieland groups during the 1950s, but Hines' career revived with a 1964 booking at Manhattan's Little Theatre and the renewed interest led to many new recordings.
Commonly known as Earl "Fatha" Hines.
Also known as: "Young" Earl Hines, C. Hines, Dean Hines, E Hines, E. Fatha Hines
From Discogs (free to use). Their entry
Liner notes
Earl, the records, oldest first
Louis and Earl
1941 album
Jazz in Paris: Paris One Night Stand
1958 album
Spontaneous Explorations
1964 album
Paris Session
1965 album
Once Upon a Time
1966 album
Stride Right
1966 album
At The Apex Club Volume 1 (1928)
1967 album
Swing's Our Thing
1968 album
Blues and Things
1968 album
The Quintessential Recording Session
1970 album
Tea For Two
1971 album
Hines Does Hoagy
1971 album
My Tribute To Louis: Piano Solos By Earl Hines
1971 album
Jazz in Paris: In Paris
1971 album
Hines Comes In Handy
1971 album
Fatha & His Flock on Tour
1972 album
Quintessential Continued
1973 album
The Mighty Fatha
1973 album
Hines' 74
1974 album
The Dirty Old Men
1974 album
It Don't Mean A Thing If It Ain't Got That Swing!
1974 album
Another Monday Date
1974 album
Quintessential '74
1974 album
I Giganti Del Jazz Vol. 95
1982 album
Records from MusicBrainz; covers from the Cover Art Archive.