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Howlin' Wolf

American blues singer, guitarist and harmonica player (1910–1976)

Chester Arthur Burnett, better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.

He is regarded as one of the most influential blues musicians ever.

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Howlin' Wolf
Howlin' Wolf
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File card: Howlin' Wolf

named after: Chester A. Arthur

real name: Chester Arthur Burnett

labels: Chess Records, RPM Records

genres: blues

awards: Rock and Roll Hall of Fame

plays: guitar, harmonica, voice

Facts from Wikidata and Discogs, free to use.

blueschicago blueselectric bluesrhythm & bluesserver nameacid rock
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Early life

Chester Arthur Burnett was born on June 10, 1910, in White Station, near West Point, Mississippi, to Gertrude Jones and Leon "Dock" Burnett. He later said that his father was "Ethiopian", while Jones had Choctaw ancestry on her father's side. He was named for Chester A. Arthur, the 21st President of the United States. The name "Howlin' Wolf" originated from Burnett's maternal grandfather, John Jones; Burnett had been squeezing his grandmother's chicks so hard he was likely to kill them, and his grandfather told him wolves would come and get him. The blues historian Paul Oliver wrote that Burnett once claimed to have been given his nickname by his idol Jimmie Rodgers.

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Beginnings, 1930s

On January 15, 1928, at the age of 17, Burnett gathered enough money to buy his first guitar. It was a date that Burnett reportedly never forgot until "the day he died".

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Musical style

Wolf is among the most influential blues musicians of the postwar years. He was at the forefront of transforming the rural acoustic blues of the South, to the electric, more urban blues of Chicago. When Wolf first formed his band in West Memphis, Arkansas, his sound was much more aggressive, with guitarist Willie Johnson's raucous, distorted guitar playing being the signature sound of his early recordings. When Wolf switched guitarists and added Hubert Sumlin to his lineup, his sound became less aggressive with Sumlin adding "angular riffing" and "wild soloing". He also adopted the backbeat that Chicago blues was mainly known for.

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Born June 10, 1910 West Point, Mississippi, USA. Died January 10, 1976 Hines, Illinois, USA. Howlin' Wolf (aka Chester Burnett) was an American blues singer, guitarist, harmonica player. A key figure in bridging the early Delta Blues with the more modern Electric Blues. His tutelage on the Mississippi Delta included guitar and showmanship from Charley Patton and harmonica teachings from Sonny Boy Williamson (2). By the end of the 1930s he was a fixture on the Southern Club scene. He was inducted into the U.S. Army on April 9, 1941 and discharged on November 3, 1943. He then moved near West Memphis, Arkansas. In 1948 he formed a band which included guitarists Willie Johnson (4) & Matt "Guitar" Murphy, harmonica player Little Junior Parker, and drummer Willie Steele (2). In 1951, Sam Phillips (2) recorded several songs by Howlin' Wolf at his Memphis Recording Service, and he became a local celebrity. After Leonard Chess secured his contract, The Wolf relocated to Chicago in 1952. It was in Chicago that his legendary status was secured. Playing with prominent blues musicians such as Willie Dixon, Jimmy Rogers and his l Also known as: "Howlin' Wolf", "Howlin' Wolf" Chester Burnett, H. Wolf, H.Wolf, HW From Discogs (free to use). Their entry

Liner notes

Howlin' Wolf, the records, oldest first
  1. Moanin’ in the Moonlight
    1959 album
  2. Howlin’ Wolf
    1962 album
  3. Big City Blues
    1962 album
  4. The Super Super Blues Band
    1967 album
  5. The Howlin’ Wolf Album
    1969 album
  6. Message to the Young
    1971 album
  7. The London Howlin’ Wolf Sessions
    1971 album
  8. The Back Door Wolf
    1973 album
  9. London Revisited
    1974 album
  10. Change My Way
    1975 album
  11. all my blues
    2002 album
  12. The Memphis Sessions
    2007 album
  13. Moonlighting, with Howlin' Wolf
    2014 album
  14. Wang Dang Doodle
    2017 album
  15. Ain't Superstitious
    2017 album
  16. Bluebird
    2017 album
  17. Legends: Howlin' Wolf
    2017 album
  18. Second Album, aka Rockin' Chair
    2017 album
  19. Blues Is My Business (24 Success)
    2018 album
  20. Smokestack' Blues
    2019 album
  21. Two Birds
    2019 album
  22. One World
    2019 album
  23. Who's Been Talking
    2019 album
  24. Little Red Rooster
    2019 album
Records from MusicBrainz; covers from the Cover Art Archive.
Howlin' Wolf on the air

Side A: on Broken Record Radio

  1. Little Red Rooster

Underlined songs have their story further down.

The Glitch Weekly2010

Little Red Rooster

Blues standard credited to Willie Dixon

"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style.

His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore.

Background

Willie Dixon's "The Red Rooster"/"Little Red Rooster" uses elements from several earlier blues songs. The theme reflects early twentieth century folk beliefs in the American South that a rooster contributes to peace in the barnyard. The image of the rooster appears in several blues songs from the 1920s and 1930s, with two particular songs identified as precursors. Influential Delta blues musician Charlie Patton's 1929 "Banty Rooster Blues" contains the verses "What you want with a rooster, he won't crow 'fore day" and "I know my dog anywhere I hear him bark", which are analogous to Dixon's "I have a little red rooster, too lazy to crow 'fore day" and "Oh the dogs begin to bark". Some of the lyrics to Memphis Minnie's 1936 acoustic combo...

Composition and recording

Although Wyman noted some early criticism of their rendition, Janovitz described it as "a fairly faithful version [of the original]". It is performed as a moderately slow (74 bpm) blues in the key of G. While AllMusic reviewer Matthew Greenwald describes their arrangement as having a straight I-IV-V twelve-bar blues progression, they sometimes vary the changes, but not in the same manner as Howlin' Wolf. Jagger mostly uses the lyrics from the original (omitting Cooke's extra verse), but makes one important change—instead of "I got a little red rooster", he sings "I am the little red rooster", although the later verse reverts to "If you see my little red rooster". In addition, Jagger sings the line "Look out strange cat people", or perhaps...

Charts and releases

"Little Red Rooster" was released on Friday, November 13, 1964, and reached number one on the Record Retailer chart on December 5, 1964, where it stayed for one week. It remains to this day the only time a blues song has ever topped the British pop charts. According to AllMusic writer Matthew Greenwald, "Little Red Rooster" was Brian Jones' favorite Stones single. Wyman noted that it "realized a cherished ambition [of Jones] to put blues music at the top of the charts, and meant his guilt of having 'sold out' completely to pop fame was diminished". It was the band's last cover song to be released as a single during the 1960s.

No US single release

Bill Wyman later wrote in his book Stone Alone that "on December 18, 1964, news came from America that 'Little Red Rooster' was banned from record release because of its 'sexual connotations'". This has been repeated and embellished to include that it had been banned by or from American radio stations; however, Sam Cooke's version with nearly the same lyrics had been a Top 40 crossover pop hit one year earlier. Additionally, the Rolling Stones' "Little Red Rooster" was included on Los Angeles radio station KRLA's (at the time the number-one Top 40 radio station in the second largest market in the US) playlist from December 9, 1964, to February 5, 1965. Radio personality Bob Eubanks wrote in his weekly Record Review column for January 1,...

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