Marvin Pentz Gaye Jr. was an American R&B and soul singer, songwriter, musician, and record producer. Commonly referred to as the "Prince of Motown" and "Prince of Soul", he helped to shape the sound of Motown and soul music in the 1960s and 1970s.
A cultural icon, Gaye is often considered one of the greatest singers and songwriters of all time.
real name: Marvin Pentz Gay Jr.
labels: Motown, Columbia Records
genres: soul, pop music, rhythm and blues, funk
influenced by: Nat King Cole
awards: Grammy Lifetime Achievement Award, star on Hollywood Walk of Fame, Rock and Roll Hall of Fame
plays: piano, voice, drum, percussion instrument, clarinet
member of: The Funk Brothers
Facts from Wikidata and Discogs, free to use.
Marvin Pentz Gay Jr. was born on April 2, 1939, at Freedman's Hospital in Washington, D.C., to church minister Marvin Gay Sr. and domestic worker Alberta Gay (née Cooper). His first home was in a public housing project, the Fairfax Apartments (now demolished) at 1617 1st Street SW in the Southwest Waterfront neighborhood. Although it was one of the city's oldest neighborhoods, with many elegant Federal-style homes, most buildings were small, in disrepair, and lacking electricity and running water. The alleys were full of one- and two-story shacks, and nearly every dwelling was overcrowded. Gaye and his friends nicknamed the area "Simple City", calling it "half-city, half country".
After Gaye left the Air Force, he formed a vocal quartet, the Marquees, with his good friend Reese Palmer. The group performed in the D.C. area and soon began working with Bo Diddley, who tried to persuade his own label, Chess, to sign them to a record deal. Failing that, he sent them to Columbia subsidiary OKeh Records. Diddley co-wrote the group's sole single, "Wyatt Earp"; it failed to chart and the group was soon dropped from the label. Gaye began composing music.
In 1962, Gaye found success as co-songwriter of the Marvelettes track "Beechwood 4-5789", on which he also played drums. His first solo hit, "Stubborn Kind of Fellow", was later released that September, reaching No. 8 on the R&B chart and No. 46 on the Billboard Hot 100 in November and December 1962 respectively. Around the time of the song's release, Gaye joined the first Motortown Revue; he was filmed along with other Motown acts later that December at the Apollo Theater. In March 1963, Gaye first hit the Billboard pop top 40 with the dance song, "Hitch Hike". "Pride and Joy" was Gaye's first top ten single on the Billboard Hot 100 on July 20, 1963. Gaye's first chart album was with Mary Wells on their 1964 collaborative album, Together,...
As a child, Gaye's main influence was his minister father, mentioning that his father's sermons greatly impressed him. His early musical influence as a child was gospel singer Mahalia Jackson.
Are you them, or do you know them? The mail slot is open.
"Ain't No Mountain High Enough" is a song written by American singers and songwriters Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross.
The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
The song was written by Ashford and Simpson prior to joining Motown. British soul singer Dusty Springfield wanted to record the song but the duo declined, hoping it would give them access to the Detroit-based label. As Valerie Simpson later recalled, "We played that song for her (Springfield) but wouldn't give it to her, because we wanted to hold that back. We felt like that could be our entry to Motown. Nick called it the 'golden egg'." Springfield recorded a song with a similar verse melody in "I'm Gonna Leave You".
In 1981, American disco band Inner Life released their version, which reached No. 20 on the U.S. Dance chart. It is particularly noted for the 10 minute Larry Levan remix.
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded at Hitsville West in Los Angeles, California.
The song features romantic and sexual lyricism and funk instrumentation by the Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend.
"Let's Get It On" became, and remains to this day, one of Gaye's as well Motown Records' most successful singles, as it reached number 1 on the Billboard Pop Singles chart on September 8, 1973. The single remained at number 1 for two weeks, while also remaining at the top of the Billboard Soul Singles chart for six weeks. In its first week at the top of the chart, "Let's Get It On" replaced "Brother Louie" by Stories, and was replaced by "Delta Dawn" by Helen Reddy; it later replaced "Delta Dawn" and was finally knocked off the top of the chart by Grand Funk Railroad's "We're an American Band". The single stayed inside the Billboard Hot 100 top 10 for 13 weeks, 10 of those weeks inside the top five. Billboard ranked it as the No. 4 song...