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Technotronic
Belgian electronic music project
Technotronic was a Belgian electronic music project formed in 1987 by Jo Bogaert and best known for their 1989 single, "Pump Up the Jam", which features vocals by Ya Kid K. The song peaked at No. 2 on the Billboard Hot 100 in the United States.
Later that year, the single was followed by the album of the same name, which peaked at No. 10 on the Billboard 200. Technotronic achieved further success with the singles "Get Up!
" and "Move This". They went on to release the albums Body to Body (1991) and Recall (1995), and they have been inactive since 2001.
genres: house music, electronic dance music, Eurodance
Facts from Wikidata and Discogs, free to use.
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The Glitch WeeklyExtra
1987–1990: Formation and Pump Up the Jam
Technotronic was formed in 1987 by Belgian musician, songwriter, and record producer Jo Bogaert, who had gained popularity in Europe as a solo artist with various new beat projects, including Acts of Madmen and Nux Nemo. Congolese–Belgian rapper Ya Kid K joined Technotronic on vocals, Bogaert adopted the stage name Thomas De Quincey, and in September 1989, they released the single "Pump Up the Jam", though Ya Kid K was initially uncredited for her contributions to the song. A front for the act was put together (in a way similar to other Eurodance acts like Black Box and Milli Vanilli), utilizing Congolese-born fashion model Felly Kilingi, who was presented as the group's vocalist. She featured on the single's cover art, which was credited...
Technotronic (founded in 1989), was the restless offspring of innovative Belgian producer Jo Bogaert AKA Thomas De Quincey. He had already made his mark on the "Eurobeat," with various high-profile dance concepts such as Nux Nemo and Acts Of Madmen.
The track that would later become "Pump Up The Jam," was first released by Bogaert under the alias The Pro 24's in 1989. Inspired by the sound of Farley "Jackmaster" Funk, "Technotronic," featured samples of Eddie Murphy, later replaced by new vocals.
The first "public face," of Technotronic was a "blue lipped," pouting temptress known as Felly, a renowned fashion-model. It wasn't until the second single, "Get Up," that the public saw and heard Manuela Kamosi AKA Ya Kid K for the first time. She had already performed the original vocals on "Pump Up The Jam," and now finally the world could bear witness to her strutting deliverance of "Get Up."
By the end of 1990, "Pump Up The Jam," had reached pole position on the "Billboard 12," singles dance chart. Eric Martin (4) AKA MC Eric also contributed vocally to Bogaert's first opus "This Beat Is Technotronic."
After a short collaboration with Colin Case AKA Einstein (2) and Melissa on t
Also known as: T., T.Tronic, TNT, Tech No Tronic, Techn.
From Discogs (free to use). Their entry
Liner notes
Technotronic, the records, oldest first
Pump Up the Jam
1989 album
wanted
Body to Body
1991 album
Recall
1995 album
Records from MusicBrainz; covers from the Cover Art Archive.
"Pump Up the Jam" is the opening track on the Belgian act Technotronic's first album, Pump Up the Jam: The Album (1989). It was released as a single on 18 August 1989 by Swanyard and SBK Records and was a worldwide hit, reaching number 2 in the United Kingdom in late 1989 and on the US Billboard Hot 100 in early 1990.
It also peaked at number 1 in Belgium, Finland, Iceland, Portugal and Spain. "Pump Up the Jam" has been described as a fusion of rap and deep house elements, as an early example of the hip house genre, and it has been considered the first Eurodance song to become a hit in the US.
Background and release
Belgian musician, songwriter, and record producer Jo Bogaert had previously had a few successes in his native Belgium, but struggled with exporting the music to other countries. Since some of his previous dance records had experienced popularity in American clubs, he was therefore determined to have a hit in the US. He said in an interview with Los Angeles Times, "It was very difficult for us to export music to other countries. But some of my dance records were popular in U.S. dance clubs and I knew that if I hooked up with the right people, I could make a record that would be a hit in the U.S." After meeting Congolese–Belgian singer and songwriter Ya Kid K (a.k.a. Manuela Barbara Kamosi Moaso Djogi) and Welsh rapper MC Eric (a.k.a. Eric...
Critical reception
Bill Coleman from Billboard magazine complimented "Pump Up the Jam" as "yet another uptempo club track that doesn't try to be anything but a party song. Memorable hook both instrumentally and in the chorus keeps the crowd humming and is sure to find success stateside when it's released imminently on SBK Records." Harry Sumrall from Knight Ridder felt it has "a beat the size of Boston, but Felly also sings with an unstoppable R&B swagger." Dennis Hunt from Los Angeles Times named it "a hyperkinetic, booming-bass number that may be the most popular dance-club tune since M.A.R.R.S.' 'Pump Up the Volume'." Bob Stanley from Melody Maker wrote, "Not only was it a compelling dance music track with a chorus so contagious it could keep you awake at...
Music video
A music video was produced to promote the single, having model Felly Kilingi lip syncing the vocals, while dancing, wearing different costumes throughout the video. Catherine Texier for New York Times commented, "Technotronic's "Pump Up the Jam", as commercial as it is, features a sweaty Felly who's all power and muscles, and even though her leotard shows a lot of breast and thigh, her message is more athletic than sexual, or, if it is sex, she's the one pumping the jam." The video was later made available by Vevo on YouTube in June 2010 and has been remastered in HD. By April 2025, it had generated more than 367 million views.
In popular culture
As a running gag, the 2022 British mockumentary series Cunk on Earth, featuring character Philomena Cunk, repeatedly segues to the music video of "Pump Up the Jam" despite its irrelevance to the historical events being discussed. Another series in the canon of Cunk's mockumentaries, the 2024 mockumentary Cunk on Life, repeats the joke.