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The Static TimesExtra

The Specials

British ska band from Coventry

The Specials, also known as the Special A.K.A., were an English 2 tone and ska revival band formed in 1977 in Coventry. The first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns.

Their music combined the danceable rhythms of ska and rocksteady with the energy of punk. The lyrics of their songs included political and social commentary.

The band wore mod-style "1960s period rude boy outfits ".

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The Specials
The Specials
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File card: The Specials

members: Jerry Dammers, Rhoda Dakar, John Bradbury, Stan Campbell, Egidio Newton, John Shipley, Horace Panter, Gary McManus

formed in: Coventry

labels: 2 Tone Records, Chrysalis Records, Virgin Records

genres: ska, new wave

Facts from Wikidata and Discogs, free to use.

ska2 tonerocksteadyc81reggae
The Glitch WeeklyExtra

Founding and early years (1977–1978)

The group was formed in 1977 by songwriter and keyboardist Dammers, vocalist Tim Strickland, guitarist/vocalist Lynval Golding, drummer Silverton Hutchinson and bassist Horace Panter (Sir Horace Gentleman). Strickland was replaced by Terry Hall shortly after the band's formation. The band was first called the Automatics, then the Coventry Automatics. Guitarist Roddy Byers (usually known as Roddy Radiation) agreed to join the band in March 1978 ahead of a recording session of demos.

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British ska group, successor to The Specials. After a partial break-up in 1981, The Specials re-grouped with a substantially different lineup as "The Special AKA" from 1982 to 1985. Not to be confused with "The Special A.K.A.", that The Specials used on on some releases in their early career - those releases should be entered under [A=The Specials] and ANV'd as appropriate. Also known as: Special A.K.A, Special A.K.A., Special AKA, Special AKA Band, Special Aka From Discogs (free to use). Their entry

Liner notes

The Specials, the records, oldest first
  1. Specials
    1979 album
    wanted
  2. Too Much Too Young
    1980 ep
  3. More Specials
    1980 album
    wanted
  4. In the Studio
    1984 album
  5. King of Kings
    1993 album
  6. Today’s Specials
    1996 album
  7. Guilty ’Til Proved Innocent!
    1998 album
  8. King of Ska
    2000 album
  9. Skinhead Girl
    2000 album
  10. Conquering Ruler
    2001 album
  11. Ghost Town
    2009 album
  12. Encore
    2019 album
  13. Protest Songs 1924–2012
    2020 album
Records from MusicBrainz; covers from the Cover Art Archive.

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The Static Times1979

A Message to You Rudy

1967 song by Dandy Livingstone

"A Message to You Rudy" is a 1967 rocksteady song by Dandy Livingstone. Originally titled "Rudy a Message to You", the song later achieved broader success when, in 1979, a cover version by the Specials reached number 10 on the UK Singles Chart.

Composition and recording

Livingstone came up with the idea of the song in about 10 minutes and recorded it a day or two later in about 20 minutes at Maximum Sounds Studio on Old Kent Road with engineer Vic Keary. Livingstone has said that he "had a very bad cold" on the day of recording and so it was suggested that he record the song as a guide vocal and then go over the vocals another day. However, everybody liked what Livingstone had done, so he didn't bother going back to sing over it. Whilst recording the song, Livingstone decided he wanted a trombone to feature in the song, so about a week after the recording session, he got trombonist Rico Rodriguez to play the intro melody. At the same time, he got a tenor saxophonist called Pepsi to play the same intro...

In popular culture

The song was featured prominently in the 1997 action/comedy Grosse Pointe Blank, the 2014 comedy-drama film Chef, and the 2019 sci-fi film Vivarium.

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The Dial Tone Daily1981

Ghost Town

1981 single by the Specials

"Ghost Town" is a song by the British two-tone band the Specials, released on 12 June 1981. The song spent three weeks at number one and 11 weeks in total in the top 40 of the UK Singles Chart.

Background

The tour for the group's More Specials album in late 1980 had been a fraught experience: already tired from a long touring schedule and with several band members at odds with keyboardist and band leader Jerry Dammers over his decision to incorporate "muzak" keyboard sounds on the album, several of the gigs descended into audience violence. As they travelled, the band witnessed sights that reflected the depressed mood of a country gripped by recession. In 2002, Dammers told The Guardian: "You travelled from town to town and what was happening was terrible. In Liverpool, all the shops were shuttered up, everything was closing down ... We could actually see it by touring around. You could see that frustration and anger in the audience. In...

Recording

In March 1981, Jerry Dammers heard the reggae song "At the Club" by actor and singer Victor Romero Evans played on Roundtable, the singles review show on BBC Radio 1. Fascinated by the record's sound, Dammers telephoned the song's co-writer and producer John Collins a few days later, although as Dammers' first phone call was in the middle of the night, Collins initially took it to be a joke. Following conversations with Dammers, Collins travelled from his home in London to meet the Specials at their rehearsal studio and agreed to produce their new single.

Music video

The music video, directed by Barney Bubbles, consists of bass player Panter driving the band around London in a 1961 Vauxhall Cresta, intercut with views of streets and buildings filmed from the moving vehicle, and ends with a shot of the band standing on the banks of the River Thames at low tide. The video's locations include driving through the Rotherhithe Tunnel and around semi-derelict areas of the East End as well as in Lothbury and Throgmorton Street in the financial district of the City of London in the early hours of daylight on Sunday morning, where the streets were deserted as it was the weekend. The shots of the band in the car were achieved by attaching a camera to the bonnet using a rubber sucker: Panter recalled that at one...

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