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Vampire Weekend
American indie rock band
Vampire Weekend is an American rock band formed in New York City in 2006 and currently signed to Columbia Records. The band was formed by lead vocalist and guitarist Ezra Koenig, multi-instrumentalist Rostam Batmanglij, drummer Chris Tomson, and bassist Chris Baio.
Batmanglij departed the group in early 2016 but has continued to occasionally contribute to subsequent albums as a songwriter, producer, and musician.
The band members met while enrolled at Columbia University, beginning with a rap collaboration between Koenig, Tomson, and Koenig's roommate Andrew named "L'Homme Run". They bonded over a shared love of punk rock and African music. Koenig toured with Dirty Projectors during a period of experimentation with African music, inspiring the band to incorporate world sounds into their earliest work. The band chose the name "Vampire Weekend" from the title of a short film project Koenig worked on during the summer between freshman and sophomore years in college. While home for the summer, Koenig watched the 1987 vampire film The Lost Boys and was inspired to make a Northeastern version of the film in which a man named Walcott travels to Cape Cod...
Vampire Weekend is an American rock band formed in New York City in 2006 and currently signed to Columbia Records. The band was formed by lead vocalist and guitarist Ezra Koenig, multi-instrumentalist Rostam Batmanglij, drummer Chris Tomson, and bassist Chris Baio. Batmanglij departed the group in early 2016 but has continued to occasionally contribute to subsequent albums as a songwriter, producer, and musician.
Also known as: Vampire Week End
From Discogs (free to use). Their entry
Liner notes
Vampire Weekend, the records, oldest first
Vampire Weekend
2007 ep
wanted
Vampire Weekend
2007 album
wanted
Contra
2010 album
Modern Vampires of the City
2013 album
Unbelievers
2014 ep
Father of the Bride
2019 album
Watering a Flower
2021 ep
Only God Was Above Us
2024 album
Records from MusicBrainz; covers from the Cover Art Archive.
"A-Punk" is a song by American indie rock band Vampire Weekend, released on February 28, 2008, as the second single from their 2008 self-titled debut album. The band made their network television debut by performing "A-Punk" on the Late Show with David Letterman.
Critical reception
Mark Richardson of Pitchfork described "A-Punk" as having a "spunky drive, pogo-inducing rhythm, and subtle but hugely effective sonic accents" and said that "while solid, [it] isn't one of the stronger songs on Vampire Weekend". Drowned in Sound writer Alex Denney, commented that "A-Punk" was not the best song from their debut album due to it being "a little too uptempo to let their disarmingly clever melodies breathe", but stated "for the flute-aping synths and bottled-sunshine guitars alone you need this in your life." The review from Greg Rose of Gigwise, was mixed. Rose said that although the song lacked originality, it "manages to sound unique" due to the lyrical inventiveness of lines by Ezra Koenig such as, "His honor drove...
Music video
The music video directed by Garth Jennings, that was said to convey the song's "spiky energy," used footage of the band performing as sped up stop-motion figures, simulating winter and underwater scenes during the performance. Despite the band being sped up, they "never miss an upstroke beat." The video made its worldwide premiere on January 7, 2008, on MTV2's Subterranean indie video block.
"Mansard Roof" is the debut single by indie rock band Vampire Weekend, released on October 23, 2007. It was subsequently included on their eponymous debut album in 2008.
Music video
"Mansard Roof" was the first song from Vampire Weekend's album to have a video. The video was filmed in Perth Amboy, New Jersey. The main scene in the video, directed by Alexis Boling, is set on a yacht and uses still frames. The Guardian writer Anna Pickard wrote a commentary about the song, discussing the song itself as "one of the happiest, summeriest songs you could ever imagine" and humorously describing the band as "a bunch of nice little boys on a sailboat having some tea and deciding to be in the sixties [...] whilst experimenting with African pop rhythms and retro shades."
Critical reception
Samuel Strang of Drowned in Sound described Koenig's vocals as sounding "as if on a day out from the institution, picking geraniums and wavering with the beauty of the world outside" and said that "whilst utterly unconvincing" that there was "something unwholesomely satisfying about it all". The single was summarised as, "unnervingly gratifying mundane schlop". Nitsuh Abebe of Pitchfork Media described the keyboard as being "set to a perky, almost piping tone, the kind of sunny sound you'd hear in old west-African pop". Strang decried the branding of the band as "afro-pop" and said the single was "far from the 'afro-pop' hyperbole."